Monday, September 23, 2013

Finding Inspiration: Part 3 of People & Nature

So I intended at this point to jump into the nature aspect of this multi-parter by now but something keeps coming up that just HAS to be posted.


While browsing the internet I stumbled onto Anonymous Production Assistant Blog. The articles and posts were hilarious and really insightful. He tells about the exciting/bland/tough days on being a PA in Hollywood. Not everything is what it's cracked up to be that's for sure. Any job in Hollywood is a tough tough life to lead. That is a fact.



Sadly Animation is as much a business in the entertainment world as the rest of the production studios in town - it is cut throat to get into and even once your in it is NOT steady work. It can absolutely shake a students' will down to their very foundation (I know I can speak from experience). But there are definitely great things about wanting to be in this industry - otherwise WHY ELSE would anyone try to be in the industry.





So I try to gain advice and insight from blogs like APA's. While reading his post on No Pay, I saw a comment by Michael Taylor. I made my way over to Michael's blog which was also wildly fansinating to read! I decided to email Michael and ask him a question.


"Looking back at your 30+ years in Hollywood, knowing what you know now, would you do it again?"


It's a ridiculous question that cannot be answered, but I wanted to just get something from someone in Hollywood who would say what I think from time to time, and that is: No - it's not worth it.


I got quite the opposite. Michael wrote a wonderful well-written email back to me that he has granted me permission to post. Ladies and gentlemen please enjoy:



Neil;


I don't recall what I said to Matt in my comment on the Anonymous Production Assistant's blog, but you're asking some big questions here. It certainly wasn't my "dream" to end up a juicer in Hollywood -- but when I graduated from college with a head full of movies, my only real goal was to go to LA and get into the industry one way or another. Given that my knowledge of the realities of Hollywood was extremely sketchy at the time (with no Internet and thus no blogs, inside information about the industry was very hard for an outsider to come by), my aim was simply to get in, see what it was all about, and take it from there.


That's pretty much what I did, and I'd be lying if I told you it was all one long Sound of Music singing my way as I walked up the lush, verdant mountains of Hollywood. It wasn't... and more than once I seriously pondered bailing on the industry altogether. But I stuck with it, followed where the business led, and have no real career regrets. I met a lot of great people, did a lot of traveling all over the country to work on feature films and television commercials, and had a lot of fun. I also worked my ass off, but that's part of the deal whether you're in live action or animation. Hours will be long and tempers can grow short, but if you get the opportunity to work on a good project, the rewards are there. And never underestimate the joy of engaging in a difficult effort with like-minded people -- there's an enormous satisfaction in that.


Would I do it again? In a way, that question is meaningless. I'm a very different person now than when I rolled off the turnip truck into Hollywood -- and this town is very different place than it was back then. No film student comes to LA as ignorant as I was back then, but the learning turned out to be half the fun. As trite as this sounds, it really is the journey that matters, not the reaching the destination.

I've had no problem with career longevity -- at 36 years and counting (three more 'til I can retire), I've had plenty of work in Hollywood and beyond. Yes, there have been some serious ups and downs -- working free-lance (and it's all pretty much free-lance work in film and TV) is like riding a roller coaster -- but that's increasingly true in many walks of life. The notion of signing on with a company upon graduation, then working an entire career to get the gold watch of retirement 40-odd years later is largely a relic of the past. The ups and downs you just learn to live with. There isn't much choice.


I have mixed feelings about all this "follow your dreams" stuff. That kind of rhetoric is the cotton candy fantasy of young people fresh out of school, who have yet to butt heads with the demands of the real world. If you have a strong leaning towards a given profession (animation, in your case), by all means follow it -- in the words of Joseph Campbell, "follow your bliss and the doors will open for you." There's some real truth in that... but dissecting the difference between a "dream" and a "strong passion" is something only you can do -- trying to do that for someone else is a fool's errand. There are no easy answers. You'll have to decide whether or not animation is a passion worth following, and if you do, be prepared for periods of uncertainty and disillusionment ahead. That comes with the turf... but also know that if animation is indeed the True Path for you, things will get better after a while. Work and life seem to come in cycles -- ups and downs -- that we all have to ride out from time to time.


Although I don't know who Glen Keane is (time to google his name, I guess), his quote makes sense up to a point... but what if you're not "completely sold" on any career path? Rather than settle on something less that perfect, you can keep searching until you find that one true path -- and what if it's not there? Sooner or later you've got to make a choice and stick to it.


There are so many intangibles in life, and this is just one. It's hard to know the right thing to do, especially when you're young with limited experience in the real world, but sometimes you just have to take a leap of faith and make the best of it -- and hope you land on your feet. And if not, you'll still learn a lot from the experience and thus be better prepared to make the next big decision when it comes. We all make a few bad turns in life, but with any luck, it'll all come out in the wash.


Glad to hear you like the blog. FYI -- if you click the "New to this blog? Click here and scroll down" link under the photo of the gloves on my home page, it will take you to a post with direct links to twenty or so "greatest hits" over the years. There's one called "It's the People" that tries to put the career conundrum in perspective. You might find some other posts there worth your time... or not.


Good luck with your career decisions. Life is a confusing mess at times, and there isn't always a "right" answer for whatever you're facing -- just do the best you can and make it work for you. We've all been there at one time or another. You'll get through it and be okay.


All the best;


Michael Taylor





In one of my past posts I told you guys if your ever in a coffee shop just start up a convo with any random stranger. Humans are INCREDIBLY FASCINATING. Everyone has a story, no matter how dull you think they might be, there is something (one would hope - if you run into someone completely plain then let me know...I need to meet this person).

I urge everyone here to read a post Michael has on his blog about the people he met: It's the People


Well, jumping off the coffee shop platform and my email exchange I challenge you to do this. Find contact information on someone you admire, either online or in person, and write to them. Ask them for advice. Ask them about their story. Ask them what they are most proud of.


You'll be happy and amazed at the response. And if you're like me, you will already know the answer. But you just need to hear it from someone else! Someone who has made it. There was nothing in Michael's email that I did not already know. But it took HIM to tell ME for it to start sinking in. One can only drink their own coolaid for so long before they try someone elses' to realize they're one in the same.


Thanks for reading, and thank you Michael.

Sunday, September 22, 2013

Sunday Sketches: Pencil Tests for school

A quick little animation to get school started. Still learning that there mechanics.

While I did go through all these motions way back, returning will only help. As John Lassetter once sad, if you master the basics - you are all set. The rest will come in time. I'm paraphrasing here..


But I will be doing more acting pieces after this semester wraps.



Tuesday, September 10, 2013

Animation Spotlight: Un Conte

Unbelievable! I keep getting shocked time and time again, just goes to show the endless stories you can tell.

Well done to these guys.



Thursday, September 5, 2013

The Photoshop Files: Still Life - Part 3

Hey guys! Not too much action going on with ridiculous days at work that bore me down and today being day one of school. Oh joy. No it can be fun actually but I have a few hurdles to jump before I can enjoy school again but that is a rant I don't need to share with the world.

Painting!

Heres the breakdowns on creating the bottles!


Bottle one where we pick off from...



Rough Paint in for color scheme, again I went ahead and did NOT use my original rough paint, I couldn't use it as a good enough jumping point, plus I forgot to use my layers! (I'm used to one layer paintings).

Start adding dimensions, top and side reflections



Highlights (I got too detailed, but I loved the results)



Adding shadows and light reflections and also a background to the silver bottle, the refraction from the chefs coat.

Monday, September 2, 2013

The Photoshop Files: Still Life - Part 2

Progress update! Gettin the chef down is a big part as its the only "face" in the painting and will likely draw the eyes. Note to self: make it more shiny and dirty in detailing stage.



Animation Spotlight: Myosis

With a short film, its hard to capture emotions and ideas very quickly. How do you get the audience involved and taken on a journey in a minute or two. Let alone with no dialogue?

Thats the beauty of animation. We can create anything...Just as some students from Gobelins (France) had created.




Whoa.

The Photoshop Files: Still Life - Part 1

Ah...carpel-tunnel. Thou art a heartless bitch.

But the temporary pain is worth it when you can start seeing a piece come together. Usually for me, if I can get ONE section of any painting to its final-esque stage, I can usually see where my end result is going and that is where I've finally arrived. A long way to go, but heres a preview!





Nothing fancy here, blocking out stages of the painting...


Very quick and rough painting on where I'm going.


I cannot work without lines. Even thought they won't be int he final product, I feel my colors bleed over to the next item and I lose my sense of depth...so I add fine lines.


Lemons!! This is the stage in which I push one item/element of the painting as far as possible and now I will generally start jumping around the painting updating things until they are all on par, and then do the details. 


Lemons with the basket work in progress on top.


More to come!

Sunday, September 1, 2013

The Photoshop Files - Eye Studies

After scouring the webs and looking at peoples charcoal drawings and digital paintings, and just being caught between ideas I just quickly churned these out in a creative vomit.

Doing quick and rough studies are so much fun, especially the eyes. I'm horrible at doing the human figure so I think I will start doing those soon.